BeRoTracker Download
Version 1.00.2026.09.16 · Linux, Windows & macOS

BeRoTracker

BeRoTracker is a music tracker for Linux, Windows and macOS. It follows the keyboard-based workflow of Impulse Tracker, with sample editing, plugins, MIDI and OPL3 synthesis. Download the ZIP, extract it and run.

256 channels VST2, VST3, CLAP, BTP OPL3 synthesis Portable
BeRoTracker pattern editor showing five channels, hexadecimal row numbers and song controls.
The pattern editor with the 8×8 font and the default Camouflage palette.
Features

Writing music in BeRoTracker

Enter notes in patterns and arrange them into a song. You can use samples, plugin instruments and OPL3 voices together, edit drums in separate patterns, and connect effects in the modular editor.

Pattern editor

Up to 256 channels, numbered in hexadecimal from 00. Transpose, vary, roll or amplify a selection, extend it to match the clipboard, or render a pattern to a sample.

Drum patterns

A separate editor for drum patterns, with drum instruments and its own order list. Press the pattern editor shortcut again to switch between the two editors.

Samples and instruments

Edit waveforms, apply effects, resample audio or generate samples with the built-in synthesizer. Instruments have note maps, jump points and envelopes with ADSR tools and tools to double or halve their length.

Modular routing

Connect amplifiers, a parametric EQ, built-in effects and individual FM voices in the modular editor. The EQ includes presets.

Plugins

Supports VST2, VST3, CLAP and BeRoTracker's own BTP format. Plugin scan results are cached. Plugins can open their own editor windows, and their parameters can be automated.

MIDI

Import and export MIDI files, assign MIDI controllers to automation columns, and send playback to external instruments through a MIDI output port.

OPL3 synthesis

Use OPL3 instruments alongside samples and save them in the BRT file. They support ^^^ and === just as samples do. The importer reads 42 AdLib formats, including HSC, AdLib Tracker 2 and several game music formats, and a song can be written back out as an AdLib RAW register capture.

Display

The interface is drawn with Vulkan where the driver offers it, with OpenGL otherwise and with Metal on macOS, and scales with the window in every case. Choose a high-resolution font or the classic 8×8 font, and customise the 16-colour palette.

Portable

No installer needed. Extract the archive to a writable folder and start the program. Settings, caches and logs are stored alongside the executable.

Engine

Mixing and audio output

The mixer supports 256 channels and several interpolation methods, from nearest neighbour to windowed SINC with up to 1024 taps.

Mixing
256 channels, volume ramping, click removal, retro low-pass and high-pass filters, and biquad filters
Resampling
Nearest, linear, cubic spline, polyphase FIR, and windowed SINC from 8 up to 1024 taps
Effects
Parametric EQ with presets, amplifier and plugins, connected in the modular editor
Linux audio
ALSA, PipeWire, PulseAudio, JACK
Windows audio
WinMM, WASAPI, DirectSound, ASIO
macOS audio
CoreAudio, with MIDI in and out over CoreMIDI
Export
WAV and MIDI, the whole song or individual channels, instruments and samples; AdLib RAW as an OPL register capture

Colour palettes

Seven palettes are included, with Camouflage as the default. You can also load and save your own. Each palette has 16 colours.

Camouflage default
Light Blue
Midnight Tracking
Volcanic
Formats

Supported file formats

Use BRT to save songs with all BeRoTracker features. You can also save as MOD, S3M, XM or IT, within the limits of each format.

Load
BRTMODS3MXMITMT2MTMDMFIMFOKTSTM669MIDI
Load AdLib / FM
A2MA2TRADFMKCFFAMDXMSSATSA2DFMMTKHSCLDSD00KSMMADMTRMKJPLXPISDMOXSMDTMSNGRAWDROCMFROLLAASCISDBAGDSQXJBMMXADBMFIMFWLF
Save
BRTMODS3MXMIT
Plugins
BTPVST2VST3CLAP
Import
SF2DLSWAVFLACOGGMIDI
Export
WAVMIDIRAW
Archives
ZIPMDZS3ZXMZITZ

Supported files can be loaded directly from ZIP archives, including nested archives. To save a compressed module, use .zip or a compressed module extension such as .xmz.

AdLib import

BeRoTracker imports 42 AdLib formats: tracker modules, sequenced music, OPL register captures and game music. They are converted to patterns and OPL3 instruments that you can edit and use alongside samples. Conversion has some limits, described below.

Tracker modules

These formats already use patterns and order lists, which are imported into BeRoTracker's pattern editor.

A2M, A2T
AdLib Tracker 2, including older file versions. Up to 20 tracks and 256 rows per pattern, with register macros. Supports SIXPACK, LZW, LZSS, aPLib and LZH compression.
RAD
Reality AdLib Tracker versions 1 and 2.1. Version 1 uses nine voices; 2.1 adds four-operator instruments, instrument volume and names, named tracks, riffs and detuning, with two chip voices per channel.
FMK
FM Kingtracker. 18 tracks with four-operator instruments and rhythm-mode drums.
CFF
Boomtracker 4 (CUD-FM-File). Reads both uncompressed and YsComp-compressed files.
SAT, SA2
Surprise! Adlib Tracker, file versions 1, 5 and 6, and Surprise! Adlib Tracker 2, versions 8 and 9. The latter stores individual tracks rather than complete patterns.
AMD, XMS
AMusic and MaDoKaN96 XMS files, including packed patterns.
DFM
Digital-FM. Handles one- and two-byte cells and the format's 135 Hz tick rate.
MTK
MPU-401 Trakker. Reads memory dumps packed with Ross Data Compression.
HSC
HSC-Tracker. Detected by file size and layout, since the format has no identifying signature.
CMF
SoundFX Macs Opera, identified by its A.H. signature. It shares the CMF extension with the Creative Music File and is otherwise unrelated to it: a 99-position order list, 64-row patterns and six-byte events, played at 18.2 rows per second divided by 1, 2 or 4. All 10 test files loaded, with all 18,610 note pitches and all 8,323 drum events matching the reference, and all 10 were byte-identical on a round trip.
LDS
LOUDNESS Sound System. Nine voices, pitch in 1/16-semitone steps, and per-voice pattern offsets and transposition in the order list.
MAD
Mlat Adlib Tracker. One-byte cells for notes, releases and pattern endings. Each track has a fixed instrument; the format has no volume commands.
MTR
Master Tracker. Both versions are supported, with their text headers and hexadecimal counts.
PIS
Beni Tracker. Each order-list position selects a separate pattern column for each of the nine voices.
DTM
DeFy Adlib Tracker. Uses a fixed speed of two ticks per row.
XSM
eXtra Simple Music. Nine voices, one instrument per voice and one-byte cells.
SNG
Faust Music Creator. Instruments start at full volume and have individual F-number pitch offsets.
SNG + INS
AdLib Tracker 1.0. Keep the companion INS instrument file in the same directory as the song.
DMO
TwinTeam. Encrypted, compressed Scream Tracker 3 modules, decoded and loaded through the S3M importer.

Per-voice sequences

These formats store independent event sequences for each voice. The importer runs the sequences and writes the resulting notes into editable patterns.

D00
EdLib by Vibrants, compressed and uncompressed. Imports one playback tick per row to preserve event timing.
KSM
Ken Silverman Music. Runs at 240 Hz, with five of its 16 tracks used for rhythm-mode drums. Requires insts.dat in the song directory.
MKJ
MKJamz. Nine interleaved sequences of 16-bit events, with no volume commands.
PLX
PALLADIX Sound System. Variable-length events with flags indicating which fields are present. Pitch can be stored as a direct frequency value.
JBM
JBM Adlib Music by Johannes Bjerregaard. Eleven free-running voices, each following a list of sequence numbers, with the tick rate stored as a timer divider. All 9 test files loaded, with all 8,353 note pitches and all 954 drum events matching the reference, and all 9 were byte-identical on a round trip.

OPL register captures

Captures contain timed writes to the OPL registers. The importer reconstructs notes, instruments, volume changes, pitch bends and rhythm-mode drums from those writes, then converts them to patterns. Timing changes are recorded in the pattern rows.

RAW
RAC raw AdLib captures. Supports fractional tick rates and rate changes during playback. All 316 test files loaded; comparison with the original player gave 99.95% note-pitch agreement and matching drum events. 308 of the 316 were byte-identical on a round trip.
IMF, WLF
id Software AdLib music. Uses 560 Hz, or 700 Hz for the Wolfenstein ending. Note-pitch agreement with the original driver was 98.8% in the tested files.
DRO
DOSBox raw OPL captures. Millisecond timing, with header variants detected from the file layout. Both available test files had matching note pitches and were byte-identical on a round trip.
SNG
SNGPlay. Register/value pairs, with register zero used for delays. This is separate from the two tracker formats that also use the SNG extension.

A song can also be written back out as a RAW capture. The export plays it through a mixer of its own and records every write that reaches the OPL3 chip, timed by the chip's own sample clock rather than by the mixer's blocks. The call rate is selectable from 50 to 2000 per second, with 1000 as the default, which is fine enough for the steps of a register macro as well as for ticks.

Music with a dedicated playback driver

These formats store instruments and events interpreted by a playback driver. The importers reproduce the driver's behaviour and convert its OPL output into patterns. The resulting tracks follow chip voices, so their layout can differ from the source file's channels.

CMF
Creative Music File. Reproduces the driver's pitch tables, rhythm mode and detuning. All 459 test files loaded; 378,494 of 378,496 notes matched the reference pitch, and all drum events matched. Every file was byte-identical on a round trip.
M
Ultima 6 Music. LZW-compressed byte code, run by the driver at 60 Hz, with notes, mute factors, pitch slides, vibrato and a subsong stack. All 12 test files loaded, with all 7,787 note pitches matching the reference, and all 12 were byte-identical on a round trip.
ROL
AdLib Visual Composer. Separate sequences for notes, instruments, volume and pitch, with nine melodic voices or 11 voices in percussion mode. Keep standard.bnk beside the song. All 247 test files loaded, with matching note and drum pitches, and all 247 were byte-identical on a round trip.
LAA
LucasArts AdLib MIDI with the ADL  signature, and the older Lucasfilm format. Tested with 257 LucasArts and 27 Lucasfilm files.
SCI
Sierra AdLib MIDI. Requires patch.003 beside the song. Tested with 104 EGA files. VGA support is implemented but has no test files; only the first subsong is played.
SDB, AGD, SQX
HERAD by Stéphane Picq. Supports HSQ and SQX compression and instrument macros for operator levels, feedback, transposition and pitch slides. All 24 test files loaded, with 93.8% note-pitch agreement, and all 24 were byte-identical on a round trip. Excluding two AGD files that use the upper nine OPL3 voices, note-pitch agreement was 98.2%.

The LucasArts, Lucasfilm and Sierra formats share an importer. All 388 test files loaded, with all 246,674 note pitches matching the reference, and all 388 were byte-identical on a round trip. Standard MIDI and CMF have separate importers.

XAD formats

XAD wraps music data in a shared header that identifies the player and stores the title, author and speed. All six player formats are supported.

Hypnosis
Nine-channel rows containing notes only, with a fixed table of 12 F-numbers defining the tuning.
PSI
Nine independent sequences. The importer follows their loops to determine the song length.
BMF
All three versions, with packed sequences running at 70, 68.5 or 18.2 Hz. Reads standalone .bmf files as well as BMF data inside XAD.
FLASH
Tracker format with instruments, an order list and 64-row patterns.
RAT
Tracker format with instrument-specific tuning ratios.
HYBRID
Player and music from the Domark game MiG-29M Super Fulcrum, named after the cracktro that reused them. Each order-list position selects nine tracks. Pitch slides run on every playback tick.

AdLib formats are import-only. Effects are mapped to BeRoTracker commands or instrument settings where possible. Unsupported commands are omitted, including HSC's two individual operator-level effects and some Boomtracker commands.

Playback can differ from the original. BeRoTracker uses period-based pitches, tick timing and Scream Tracker / Impulse Tracker effects for both samples and FM voices. Source tick rates are converted to tempo values with 16 bits of fractional precision, but slides and vibrato use BeRoTracker's own units. AdLib Tracker 2 has the most complete support: register macros, carrier-level volume and its original note table are preserved. Older formats use exact note pitches rather than that table's roughly 14.5-cent downward offset. Round-trip figures compare an imported song against the same song saved as BRT and loaded again, so a byte-identical result means the import survives being edited and stored. The test results above apply to the tested files; compatibility varies by format and song.

For formats without patterns, the importer chooses a row length that preserves note events while keeping the song within the 240-pattern limit. The tested id Software IMF files used four playback ticks per row without losing notes. If a voice is triggered twice within a single source tick, only the second trigger is kept.

Requirements

System requirements

Graphics
On Linux and Windows, Vulkan 1.0 or OpenGL 4.3 with a compatibility profile: BeRoTracker looks for a Vulkan device that can present to the window and falls back to OpenGL when there is none, and --force-opengl skips that check. If neither is available it reports an error at startup. On macOS it draws through Metal and nothing else; there is no OpenGL there.
Linux
x86-64 with X11 or Wayland. Wayland requires EGL and libxkbcommon for keyboard input.
Windows
x86-64. Uses Windows system DLLs; no additional runtime installation is needed.
macOS
ARM64, macOS 11 or newer, which is every Mac with an Apple chip. There is no Intel build.
Audio
One of the audio backends listed above.
Keyboard
Note-key layouts can be set to QWERTY, QWERTZ or AZERTY. Alt Gr is treated as Alt on every system.
Disk
Space for the extracted archive, settings, caches and logs. On Linux and Windows the application folder must be writable; on macOS the bundle is never written into and everything goes to ~/Library/Application Support/BeRoTracker.
Download

Download BeRoTracker

The ZIP includes the Linux and Windows executables and the macOS application bundle, icons, a Linux desktop entry and EQ presets. Extract it to a writable folder.

BeRoTracker.zip · 23.4 MiB · version 1.00.2026.09.16 SHA-256 4226166b6fd2baf73df40a4a0f97c294662d5277b1c6676b9f4a178b9c71dd54
Download BeRoTracker ZIP

BeRoTracker is free to download. If you find it useful, you can support its development at donate.rosseaux.com.

Linux

$ unzip BeRoTracker.zip
$ cd BeRoTracker
$ ./BeRoTracker

# Optional: install the icon and menu entry
$ ./install-desktop.sh

Windows

Extract the ZIP, then run
the Windows executable:

BeRoTracker\BeRoTracker.exe

macOS

$ unzip BeRoTracker.zip
$ xattr -dr com.apple.quarantine BeRoTracker
$ open BeRoTracker/BeRoTracker.app

# Before dragging the bundle elsewhere
$ cd BeRoTracker
$ ./BeRoTrackerMacOSPrepareDragDropInstallation

The macOS build is signed but not notarised, so Gatekeeper stops the first start. Either take the quarantine mark off the extracted folder as shown above, or right-click the bundle, choose Open and answer the question once. Out of the archive BeRoTracker.app shares the palettes and EQ presets with the other two builds, which lie beside it; BeRoTrackerMacOSPrepareDragDropInstallation puts a set of both inside the bundle so it can be moved anywhere, /Applications included, and takes nothing out of the folder. BeRoTrackerMacOS starts the same program from a terminal.